Sunday, 22 March 2020

The Jehol Diary (열하일기) - China and Korea as seen through the eyes of 18th century scholar Pak Jiwon (박지원)


Having just finished the first half of Pak (or Bak) Jiwon's Jehol Diary (열하일기/Yeolha-ilgi), I wanted to take some time to reflect on the book so far and share some of the things I enjoyed about the first part. Although the book is essentially a travelogue, it's so full of ideas about history, philosophy, society, antiques, art, and life in general that deciding where to begin discussing the book was quite a challenge. However, at this point in my exploration of the book, it seems most appropriate to focus on Pak's curiosity and open-mindedness as a model of the type of mindset we should strive for, especially in a time as multicultural and hyperconnected as the present.

The Jehol Diary caused a tremendous stir when it was first written and ruffled the feathers of some very powerful figures among Korea's political and literary elite. To explain why the book was received in this way, let's take a couple of steps back and look at both how Pak's insatiable curiosity came about and the times in which he lived and worked. As will be clear by the end of this post, Pak Jiwon was an exceptional person for his time, and one of his greatest strengths was arguably his ability to look at his own country through the eyes of an outsider an ability that was sadly lacking among the majority of his contemporaries with the exception of a small minority of thinkers.

Pak Jiwon (17371805) was born into a family who were members of the noron (노론/老論), one of the main political factions in the late Joseon dynasty. Although his intelligence and brilliant memory were recognized early on, after a couple of unsuccessful attempts at passing the state civil service examination on one occasion he even turned in a blank test paper he simply gave up and worked odd jobs to fund trips with friends, much to the exasperation of his family. During these trips, Pak met and spoke with people from all walks of life, and in the process of doing so, he developed an exceptional ease in making new acquaintances and getting along easily with complete strangers. In addition to these trips in his late teens and early twenties, he was also indirectly exposed to other cultures through stories about travels in China which he heard from relatives and friends who often visited China as ambassadors. These various experiences, both direct and indirect, helped shape his endlessly curious personality and made him more receptive to other cultures and customs than many of his more conservative-minded compatriots.

By the time he embarked on the trip in 1780 to visit the Qianlong Emperor (건륭제) of China which would become the subject of the Jehol Diary, Pak was already well-versed in Chinese literature and history, as well as a fluent reader and writer of classical Chinese as a result of years of studying for the civil service examination. Being a seonbi (선비) or 'classical scholar' devoted to a life of learning rather than the pursuit of official titles or material wealth, Pak went with the tributary envoy to China essentially as a tourist without any official obligations, which gave him plenty of free time to explore and speak with as many different people as possible1. Pak was invited to join the envoy by his cousin Pak Myeong-won (박명원), who had just recently been promoted to the position of Congratulatory Ambassador (진하사 겸 사은사, 進賀使兼謝恩使) for missions to China, and it's a good thing Pak Jiwon was invited at all, because he proved to be an ideal observer to accompany such a trip and in fact provided king Jeongjo (정조) with far more useful and accurate information about what he saw and heard in China when he returned to Korea than the other government officials from the envoy who simply dismissed the "barbarian" Manchus ruling China as having nothing to teach Korea.

This prejudice toward the Manchus who established the Qing dynasty and ruled China in Pak's time was typical especially among the Korean elite. Two of the primary philosophies of the day, bukbeollon (북벌론/北伐論, "Northern Expedition Theory") and sojunghwaron (소중화론/小中華論, "Little China Theory"), are direct results of this disdain toward the Manchu rulers of China and their culture, particularly the queue hairstyle a shaved forehead with a long ponytail running down the back of the head characteristic of Manchu men. Aside from the unusual hairstyle which seems to have so deeply disturbed Koreans, what could have caused such intense feels of animosity toward the Qing dynasty and everything associated with it?

When the Manchus overthrew the Ming dynasty ruled by the Han Chinese people in 1636, they established their own dynasty known as the Qing dynasty. Although the Manchus asked Korea repeatedly for support during their campaign to conquer Ming, Korea either hesitated to act or outright refused, partly out of loyalty to the Ming dynasty for supporting Korea during its own crisis in the 1590s when the Japanese invaded. Naturally the Manchus did not like being brushed off like this, so they went on a punitive expedition to Korea (병자호란, "Qing invasion of Joseon") and, after surrounding the city to which the Korean king Injo (인조) had retreated, forced the king to perform a humiliating ritual of submission bowing and slamming his head against the ground several times until his forehead was a disheveled mess of bloody hair to the Manchu king Hong Taiji. This humiliation would not soon be forgotten in Korea and became the basis of the bukbeollon or "Northern Expedition" proposal to invade the Northerners (i.e. the Manchus) and punish them for what they did to Korea. Even 150 years later, when Pak was embarking on his trip to China in 1780, this was one of the dominant political discourses in Korea and a major reason why Koreans regarded the Qing Manchus with such disdain, refusing to even consider the idea that they might be able to learn something from the Manchus. Bukbeollon went hand in hand with sojunghwaron or "Little China Theory," according to which Korea was a miniature version of China responsible for preserving the "true" Chinese culture inherited from the previous Han-ruled Ming dynasty until the Manchus could be overthrown and the Han people could regain their rightful sovereignty. Hence, many Koreans felt almost morally obliged to oppose the Manchus and stand by the Han Chinese people and their culture.

Although a supporter in spirit of the overthrown Ming dynasty and its "pure" Chinese culture, Pak Jiwon was astounded by the material superiority of China on his trip and became a passionate advocate of iyong-husaeng (이용후생/利用厚生, "Pragmatism and Welfare"), part of the wider Silhak (실학/實學) or "practical learning" movement, which emphasized the importance of adopting technologies capable of improving the lives of the struggling Korean people, regardless of where they originate. In Pak's view, rejecting Qing culture and technologies which could significantly improve the standard of living of all Koreans on the basis of something as trivial as contempt for the Qing hairstyle is both absurd and a large part of the reason that Koreans were still struggling to eke out a living while clinging to "traditional" technologies in spite of their inefficiency and ineffectiveness. According to iyong-husaeng, an idea should be judged based on its applicability and usefulness, not on its place of origin. The main features of Qing's superior material culture which Pak felt were imperative to adopt in Korea can be summarized in three examples: bricks, carts, and horse manure, more specifically the reuse of the latter.


One of the earliest observations that Pak makes upon entering China is that the brick houses in China are so much better constructed and better insulated than the traditional stone or thatched houses in Korea, particularly those inhabited by the lower classes. We learn from Pak's detailed description of the houses he sees during the trip that, while thatched or stone houses in Korea were poorly insulated and suffered from frequent rodent infestations due to holes in the walls, Chinese houses were made of brick, which provided much better insulation since the bricks were pressed and formed in molds, ensuring consistent, evenly-shaped bricks which could be fit together precisely like pieces of Lego and sealed with lime. The rooves of Chinese houses were generally made of tiles, and what impressed Pak about this system is that even broken tiles were recycled and joined together to form walls or decorations instead of being discarded. For the same reason, he admires the Chinese for reusing the abundant horse manure produced by countless horse-drawn carts passing daily through the busy streets of major cities. The manure was recycled both as fuel to keep houses warm in winter and as a material for making bricks.

The dizzying number and variety of carts in China also appears to have captured his interest because he gives detailed descriptions of several types of carts, including the pre-industrial version of a firetruck based on a design from the book 'Diagrams and explanations of the wonderful machines of the Far West' (원서기기도설록최/기기도, 遠西奇器圖說錄最) by Joannes Terrenz (1576–1630), a German missionary in China and bemoans the lack of carts and proper roads for them in Korea as one of the main reasons that many people remain impoverished. We get a sense of just how much importance Pak ascribes to carts when he says that "nothing is more valuable to a country than carts," describing them as "boats on land." According to Pak, the key to making proper carts is to ensure that the wheels are perfectly round and to determine the correct spacing between the wheels, the axles and the body of the cart itself to prevent them from bumping into each other, reducing the cart's effectiveness. Pak tells us that the previous feeble attempts to introduce carts in Korea were stymied by these engineering difficulties and praises the Chinese for their superior technology in this area. He goes on to lambast Korean politicians and scholars for using Korea's rugged, mountainous terrain as an excuse for not laying proper roads for the widespread use of carts and circulation of goods among different provinces, citing China's far more extreme variations of terrain as a counterargument. If China, with its vast stretches of mountainous land, was able to lay down such a complex network of well-maintained roads, why should a country as small as Korea and with no more rugged terrain than China not be able to do the same? At the time when Pak was writing, the various provinces in Korea were not connected by a proper network of roads, nor were carts widely used, which resulted in exorbitant costs to circulate specialty goods from each province to other parts of the country, meaning that only the wealthiest could afford, say, apples from Chungju or sweet persimmons from Goheung. Lower income people would be able to afford these products and enrich their lives if the proper infrastructure for their circulation were established.

Another example of Pak's ability to look at his own country critically from the perspective of another culture can be found in his appraisal of the Chinese kang (/) bed-stove heating system vs. the Korean ondol (온돌) floor heating system. Although he felt that the Korean system was more effective overall in heating homes, he acknowledged the superiority of the Chinese system in minimizing heat loss through a clever arrangement of heating pipes. Still one of the most popular forms of heating in Korean homes even today, the ondol or gudeul (구들) floor heating system goes back a long way in Korean history, so for Pak to propose a change to such a longstanding traditional method of heating demonstrates his willingness to make improvements where needed, unflinching in the face of tradition or history, as long as the final outcome was more practical or beneficial.

Finally, there are also instances where he clearly prefers the way something is done in Korea. During one of his pildam (필담, "written conversation," see note 1 below) with some Chinese merchants, Pak asks the merchants about the Chinese education system and learns that children study the Chinese classics in two stages: first, they memorize the texts by sound alone through rote repetition of the teacher, and only after this stage do they finally learn how to read the Chinese characters. However, not everyone reaches this second stage of the curriculum, so there are instances where people may be able to recite entire books from the Confucian canon from memory without being able to read even basic Chinese characters. Pak tells the merchants that children in Korea children from upper class families who had the opportunity to receive an education, that is learn both the pronunciation and the meaning of characters simultaneously, which he feels is a more efficient system. From this example, we see that Pak is neither unconditionally critical nor complimentary of Korea; he maintains a balanced view of the pros and cons of both China and Korea, giving praise where it is due and recommending the adoption of improvements where possible.  

The reforms proposed by Pak have become so commonplace today that it rarely occurs to us that there was a time when houses were not made of perfectly interlocking, insulated bricks (with running water and electricity, to boot) and fruits and vegetables of every variety imaginable were not available year-round. At first glance, it can be easy to overlook the almost revolutionary significance of proposing such changes in late-Joseon Korea, but as we learned from a brief look at the political and social climate in Korea in the 1780s, suggesting such reforms modeled on a dynasty that was so widely disdained by Koreans at the time would have been viewed with great suspicion, and unfortunately for the average Korean person of Pak's time, these suggestions were almost completely ignored in favour of maintaining the status quo.

Unfortunately, no complete edition of the Jehol Diary exists in English yet a few chapters have been translated by Dr Yang Hi Choe-Wall and published by Brill but I hope that this post stirs the interest of potential readers and conveys at least a sense of the book and its importance in Korean literature and history, as well as its relevance in our time. Even today, or perhaps especially today, when we are all more connected than ever before, there is still much that we can learn from Pak's open-minded attitude toward other cultures, his boundless curiosity, and his willingness to take risks in the hope of changing his country for the better.

Notes:
1) It would be more accurate to say "write" than "speak" since 박지원 did not actually speak Chinese but was able to read and write it fluently like most educated Koreans of the Joseon dynasty and carried on conversations by means of pildam (필담/筆談) or "written conversations" where participants would exchange written messages instead of speaking a sort of in-person real-time version of texting today. However, not everyone Pak encountered was able to read and write Chinese characters a skill requiring years of intensive training to master even for native speakers of Chinese languages. Occasionally, when Pak would show someone a written message in an attempt to initiate a conversation, the person would squint at the characters with a look of incomprehension and walk away. 

Saturday, 15 August 2015

Old Korean Pronunciation

Anyone interested in how Korean was pronounced roughly 800 years ago should look into the 계림유사 (gyerimyusa/ kyerimyusa), as it is constantly referenced in books on Korean etymology and phonology. The format of the book is such that roughly 350 Goryeo (ancient Korean) words are written out phonetically using Chinese characters. 

The original meaning of words are shown with Chinese characters which are then followed by their pronunciation. The 曰 in the middle (not to be confused with 日) means "spoken / pronounced as." Here is an example of an entry from the book: 鬼曰幾心. This is read as: "Ghost (鬼) is pronounced as 幾心 (기심, kishim)," which is basically identical to the modern pronunciation 귀신. Naturally, there are also cases where the pronunciation indicated is no longer in use, as in 山曰每, where the word for mountain (山) is the archaic "뫼 (written as "매" with 每)." 

While basic reading knowledge of Chinese characters will help, you can just as easily copy and paste or draw the characters into a Korean Hanja dictionary to see the approximate pronunciations. 

The following blog lists all of the words and pronunciations with Hanja only: http://blog.naver.com/sohoja/50102870129


For those who would like a version with modern Korean meanings and pronunciations, google "계림유사 txt" and it should be one of the first search results as a downloadable Word file.


Here is a Hanja dictionary for those who would like to look up the pronunciations of the Chinese characters: 
http://hanja.naver.com/

Sunday, 9 August 2015

땅거미 - Twilight Spiders?

I have to admit that the word 땅거미 confused me for the longest time. I could never wrap my head around what exactly "거미" (spider) has to do with "twilight." It turns out that there is a very simple explanation for the etymology of this word which will make it much easier to remember if, like me, you have been having a hard time connecting "spiders" and "twilight."

땅거미 can be broken into two parts: 땅 + 거미. 땅 means "earth, land," and while 거미 is spelt in exactly the same way as the word for "spider," it is in fact analyzed as follows: 검(다) + 이 (noun suffix), where 검다 means "black, dark." The word 땅거미 refers to the time of day when the sun goes down and the land grows dark, hence the meaning "twilight."

Source:
백문식. 우리말 어원 사전. 1st ed. 서울: 도서출판 박이정, 2014. Print.

Wednesday, 5 August 2015

영어와 한국어의 숨겨진 관계


(한국 분들을 위해 어제 올린 글에 대한 한국어 번역본도 함께 올립니다)
 
서로 다른 언어들에서 같은 의미를 가진 말은 늘 같은 어근이나 의미에서 파생되는 것이 아니다. 하지만 어근이나 본래 의미가 같으면 다양한 문화와 생활방식이 있음에도 불구하고 넓은 세상에 뿔뿔이 흩어져 사는 사람들도 고대 시대에 살았던 우리 조상들도 모두 보편적인 공통점이 있었다. 결국 세상은, 보는 시각이 비슷하기 때문에 오해하고 있던 관점의 격차를 줄이게 된다면 우리들 간의 거리를 줄이는 것과도 같다.

위의 현상을 보여주는 예로 "그리-"로 시작하는 한국어 단어들과 "-graphy"를 포함한 영어 단어들이 있다. 이 두 단어와 그들의 파생어들은 "긁다, 할퀴다, 새기다"라는 개념과 "쓰다, 그리다"라는 개념의 관계에 바탕을 둔다


한국어에는 ", 그림, 긁다, 긋다, 그리다"와 같은 단어들이 모두 "그리-"라는 공통적인 어원을 가지고 있다. 이 어원은 "긁다, 할퀴다"라는 행동을 묘사하는 것이며 "그리다, 새기다, 긋다""쓰다, "이라는 다양한 의미들이 포함된다
 
영어로는 "-graph (그래프)"라는 어근이 들어간 단어들은 역시 "새기다, 긁다, 쓰다, 그리다" 등의 의미를 가진 고대 그리스어의 "grapho (γράφω '그라포')"라는 동사에서 파생된 것이다. 다음 단어들은 이 어근이 얼마나 광범위하고 유용하게 쓰이고 있는지를 잘 보여준다 : "calligraphy (서예), graffiti (낙서), graphite (흑연), graph (그래프), diagram (도표), bibliography (참고문헌), photograph (사진), stenography (속기법), phonograph (축음기)" 와 같은 영어와 한국어 단어들이 모두 긁는 소리를 나타내는 "g + r/l (+ )"이라는 의성어에서 형성되었다는 점에 유의하시길 바란다.

참고로 다른 언어에도 긁거나 할퀸다는 소리를 나타내는 "g + r/l" 의성어 현상의 예는 다음과 같다.
힌디어: khurachnaa (खुरचना '긁다, 할퀴다')
일본어: (카쿠) "쓰다" + (카쿠) "긁다." 일본어의 발음 및 음운 체계상 r/l이 빠졌다.
프랑스어: gratter "긁다, 할퀴다
독일어: kratzen "긁다, 할퀴다

오늘의 포스팅을 읽고 서로 달리 보였던 언어들에서 공통점을 발견하는 것에 조금이라도 관심이 생겼으면 한다. 개인적으로 언어들 간에 공통점을 발견하는 것이 어원학의 가장 흥미로운 부분이라고 생각한다. 또한 여러 나라 독자들에게 이를 소개하는 것은 보람찬 일이다


한국어 어원 출처 :
백문식. 우리말 어원 사전. 1st ed. 서울: 도서출판 박이정, 2014. Print.
 
영어 어원에 대한 추가 정보:

Tuesday, 4 August 2015

Connections between English and Korean


Two words which mean the same thing in two different languages are not always derived from the same fundamental root or meaning. When they are, it can be a wonderful reminder that humans, regardless of time or place, share so much in common and have very similar ways of looking at things, in spite of all the apparent differences between us.
 
Two types of words which illustrate this are Korean words based on 그리- and English ones based on "-graphy." Both words and their derivatives are based on a connection between "scratching, engraving" and "writing, drawing." 

In Korean, words such as , 그림, 긁다, 긋다 and 그리다 are all based on the common element of "그리-." This refers to the action of "scratching, scraping (긁다)" and encompasses the meanings "drawing, inscribing (그림, 그리다, 긋다)" and "writing, text ()."
 
In English, words with "-graph(y)" in them come from the Greek verb "grapho (γράφω)," which also means "to inscribe, scratch, write or draw." The following examples illustrate a handful of the numerous applications of this meaning: "calligraphy, graffiti, graphite, graph, diagram, bibliography, photograph, stenography, phonograph." Note also how the root words in both languages start with "g + r/l (+ )," an onomatopoeic scraping or scratching sound.
 
Some additional examples of this are the Hindi word "khurachnaa (खुरचना 'to scrape, scratch')", with the aspirated 'kh' depicting this even more strongly, and the Japanese words "(to write)" and "(to scratch)," both pronounced "kaku," although lacking the final "r" due to the phonological structure of Japanese syllables. Similar examples can also be found in German and French among other languages.
 
I hope that today's post has stirred an interest in searching for common roots in words of radically different languages, which I personally find is one of the most exciting and rewarding parts of studying etymology. Happy word hunting!


Source for the information on the Korean words: 

백문식. 우리말 어원 사전. 1st ed. 서울: 도서출판 박이정, 2014. Print. 

For more information on English etymology: 


Sunday, 2 August 2015

Green or Blue?

This post is not so much about etymology as it is food for thought for anyone who has wondered about or been confused by which word to use for the colours blue and green in Korean.

During your Korean studies, you may have noticed that dictionaries indicate both blue and green for the word 푸르다. Interestingly enough, this phenomenon is not limited to Korean and appears to be quite common throughout languages in Asia, according to the polyglot and language expert Stuart Jay Raj.

The Korean word 푸르다 is related to the noun 풀 (meaning "grass" here), and the definition given in the Korean dictionary on Naver translates to: "A bright and clear colour like that of a clear autumn sky, the deep sea or grass" (맑은 가을 하늘이나 깊은 바다, 풀의 빛깔과 같이 밝고 선명하다). Basically, the meaning of the word is fluid and can in fact be used for both colours. 

While context will almost always make it clear which sense of the word is meant, some colour words which may be useful for being more specific are: 하늘색 ("sky blue"), 파란색 ("blue"), 초록색 (草綠色 "grass green") and 녹색 (綠色 "green"). While 파란색 generally refers specifically to blue, one can still find references to the "colour of sprouts or shoots (of plants)" as well as mention of the ambiguous "푸르다" in the Korean definition. 

This little investigation has likely raised more questions than it answered, but it is certainly an interesting topic to consider for anyone interested in the fluidity of colour-related concepts across various languages.

The Suffix -씨

The noun ending -씨 is found in several nouns and usually serves the same function of indicating "state, condition, appearance, manner." Three common words which will be looked at are: 날씨, 글씨 and 마음씨.

날씨 can be divided into the two parts 날 + 씨. "날" means "day," so combined with the ending -씨 the word means "the state or condition of the day." Hence the meaning of "weather."

글씨 is a combination of 글 ("writing") + 씨 ("state, condition, appearance"). The two parts in combination mean "the state or appearance of writing" and can be used to say that someone's handwriting is either good or bad, for example.

Finally, 마음씨 is simply 마음 ("mind, heart") + 씨. The word has a general sense of "the quality or manner of using one's heart or mind," in the sense of kindness (or lack thereof) in a person. This is close to the English sense in the translation of 마음씨가 좋다 as "kindhearted, good-hearted," as in "using one's mind or heart well."


Source:
백문식. 우리말 어원 사전. 1st ed. 서울: 도서출판 박이정, 2014. Print.